To come into contact, through active artists, with different practices that thematically address issues in fields such as science and technology, social sciences, and the humanities.
To develop, document, and conceptualize creative proposals that thematically address issues in fields such as science and technology, social sciences, and the humanities.
To actively participate in collective activities, assuming different roles within the group.
To be able to analyse the practice of other artists and both ask and answer the question of why they have chosen to work within another ambit.
To understand how, as an artist, we can respond to, reimagine and reuse the methodologies of different fields.
The role of the artist and artistic practices in society: artistic practices that actively address the intersection between art, science and technology, art and social sciences, and art and the humanities. Artistic practices as a means of engaging with and acting upon the world; an approach to projects and methodologies through the narratives and working proposals of artists. Ethical and political implications of situated artistic practices, including gender and intersectional perspectives. Post-autonomous artistic practices and the capacity of art beyond representation.
The class will be divided into two blocks. In each block a visiting artist will come and share their practice and methodologies. They will then set a project that the students will work on over subsequent sessions, before returning to see the presentations of the work made. In the production of this project work the students will be assisted and accompanied by the class teacher, (Michael Lawton,) who will be present in all sessions.
These two blocks, and the work presented for them, provide most of the work assessed. There are three sessions of preparation and reflection that complete the assignment.
Work made as part of first seminar: 40%
Work made as part of second seminar: 40%
Participation in / preparation for / reflection on seminars: 20%
https://www.e-flux.com/journal/2/68497/maybe-it-would-be-better-if-we-worked-in-groups-of-three-part-1-of-2-the-discursive
Acquires and demonstrates advanced knowledge of the theoretical and practical aspects, as well as the working methodology, within the field of artistic practices. (CB1)
Analyzes knowledge specific to the field and its contextualization in national and international settings. (CT3)
Acts with respect for diversity and equal opportunities, taking into account the intersection of gender inequality with other axes of inequality (age, class, race, sexuality and gender identity/expression, functional diversity, etc.). (CT8)
Accurately analyzes the implications of contemporary artistic practices that actively address the intersection between art, science and technology, art and social sciences, and art and the humanities. (CE1)
Develops creative proposals that actively address the intersection between art, science and technology, art and social sciences, and art and the humanities. (CE2)
Responds actively to collectively posed challenges. (CE10)